María Rodés: "In the th century I would have been a witch"
Nomad curious devoted "to the spell of music" and without a partner or children when she reached maturity. "In the th century she would have been a witch" María Rodés thought when she began to investigate those women of the past silenced by her freedom and restlessness and to whom she wanted to restore in her new album. "I wanted to remove the negative connotation from that word and give it that of a magical or liberated woman as in history has happened with the magicians who were the wise ones" says the Catalan artist in a talk with Efe about "Lilith" Satélite K their fifth album already on the market. Its development is not without some alchemy: it started as a live show then a single it was going to become an EP and due to the pandemic which occurred when it was just going to be recorded it ended with its current LP format. cuts "taking advantage of those extra months.It all started from a publication on the Instagram profile of Rodés Barcelona in which he suggested the possibility of making a work based on the stories of witches from his town Cabrera de Mar Barcelona in the Maresme where These types of stories abound. "There was UAE Phone Number something introspective about it" she says raising the similarities between herself and those women about whom she researched extensively between historical documents and other more fantasy ones. The idea soon found an echo in the programmer of the Sacred Art Festival Pepe Mompeán who offered him a privileged and very appropriate setting for a concert in in the Goya Black Paintings room at the Prado Museum and in the black room of the Teatros del Canal in Madrid.
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The direct worked. Soon more quotes began to appear which led its manager to record one of the songs as a single to promote them and later the rest of the album which works with the support of what has already been tested live. "I have always thought that the albums would have to be recorded after the live show because that is when the songs are much more shot and you know what works and what doesn't" says this artist who had just published "Eclíptica" in . . Faced with a concert in which everything sounded a little "rawer" with respect to folklore in the recording he took the opportunity to incorporate other production elements "with small and subtle" details of electronics something that perhaps leads to talking about it as a "neo-folk" artist.
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